tag:blogger.com,1999:blog-37655669060664961672024-03-13T15:21:28.591+01:00AMA BLOG - African Music Archives MainzUnknownnoreply@blogger.comBlogger10125tag:blogger.com,1999:blog-3765566906066496167.post-80598397893044401032014-03-15T21:21:00.001+01:002014-03-15T21:21:52.352+01:00<br />
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<span class="Apple-style-span" style="font-family: Calibri; font-size: large;"><b>"GREAT BLACK MUSIC" EXHIBITION IN PARIS, FRANCE</b></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-weight: normal;">11 MARCH UNTIL 24 AUGUST 2014</span></span></h2>
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<span class="Apple-style-span" style="background-color: white; font-size: small;"><b>The AMA will pay a visit, you will hear from us!</b></span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;"><b>For more information please go to:<span class="Apple-style-span" style="color: blue;"> <a href="http://www.greatblackmusic.fr/" target="_blank"><span class="Apple-style-span" style="color: blue;">http://www.greatblackmusic.fr/</span></a></span></b></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-51495881304171569612013-11-25T13:43:00.000+01:002013-11-29T23:21:31.798+01:00<br />
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<span lang="EN-GB" style="mso-ansi-language: EN-GB;"><b><span class="Apple-style-span" style="font-size: large;">Obituary
Malamini Jobarteh</span></b></span></h2>
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<span class="Apple-style-span" style="font-family: Calibri;">On July 31st 2013, the great Gambian kora player and master griot Alhaji Malamani Jobarteh has died.</span></div>
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<span class="Apple-style-span" style="font-family: Calibri;">According to his passport Malamini was born in 1940, but he doubted this date all along. Because his parents died when he was still an infant, he grew up with his grandmother and uncle. As a young man he excelled as a player of the kora, the harp-lute with 21 strings, of West African fame. But compared to other young jalis or griots he learned quite late to play the kora. Malamini started his professional life by working as an apprentice on a collective taxi, as a fisher, as a carpenter. Only later when his grandmother told him about his deceased father Keluntang Jobarteh, who was an outstanding kora player, Malamini too, followed her advice to learn to play the kora. This, he did first with his uncle Jerending Konte, and later with Jerending’s older brother Bai Konte who finally adopted him. First with Bai, afterwards also on his own he travelled through the region in order to see patrons who would host them and for whom they would sing praise songs, educate them about their genealogies, entertain them. They travelled through The Gambia, and southwards to Casamance, Guinea Bissau and Guinea Conakry. He was a famous kora musician by that time. People would recognize him and call out his name in excitement wherever they saw him. Although the pop music style “Yenyengo” the way we know it today was not yet established, Malamini expanded the role of the jali to pop star status, playing not only for rich patrons, but also for the entertainment of the youths. Thus, by the 1970s he was a famous kora-musician in his own right. He had become a true griot, a jali.</span></div>
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<span class="Apple-style-span" style="font-family: Calibri;">In 1977 Malamini joined the Gambian National Troupe and soon travelled to Nigeria, to the Soviet Union, to Britain. In the 1970s and 80s he also went on tour with Bai Konte and his son Dembo together as Konte Family, first to the United States, later on also to Europe. After Bai’s death in 1984 Malamini and Dembo toured Europe repeatedly. Being a curious man he discovered amazing things in the world out there – and he knew how to tell hilarious stories about his adventures. Malamini also extended his role as a griot in representing his country and his Mandinka culture to a growing number of outsiders. He served as the Gambia’s musical ambassador at the International Travel Trade Show ITB in Berlin and he worked regularly as musical director at the Gambian Hotel Boucarabou. Realising the importance of the role of the griot as an intermediary, as a counsellor, as a diplomat in a globalizing world of entangled histories, quick transport, and omnipresent media, Malamini not only mediated within the Mandinka group, or between different ethnic groups in his region, but who also served as an representative of his country’s and even of his continent’s rich culture. Thus, by the 1990s he succeeded in transforming his profession to a new world level. He had become a great griot, a jaliba.</span></div>
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<span class="Apple-style-span" style="font-family: Calibri;">In the last two decades he concentrated on handing down his art to the next generations. He toured the world with his sons Ebraima Tata Dindin and Pa Bobo. As a devout Muslim, he was proud of his religion and made sure that his children would be educated the basics of the al-Qur’an. It is no surprise, then, that he served as the spokesperson of the group of pilgrims with whom he undertook his hajj. In his hometown Brikama, he would speak to large groups of Muslims assembled for Friday’s prayers. He took his responsibilities as a jali very serious, never ceasing to readily serve as mediator in marital or other conflicts. He made it his duty to educate both his family and foreigners in the art and tradition of the jalis by establishing his ''Teramang Traditional Music School'', which drew even more visitors to his compound – students, friends, patrons of his art, travellers, traders, both from Western as well as neighbouring African countries. He was a patient teacher, strict but humorous. His children and other jalis from the next generation who lived in his compound were from early on influenced by this cosmopolitan spirit. Thus, it comes as no surprise that his sons Tata and Pa are among the most famous and successful kora players in the Gambia, who are regularly on tour either in Europe, America, Asia or Australia, that his eldest daughter Siffai lives and performs in New York, that some of his students live as successful kora players in cities such as Copenhagen, Frankfurt, Boston. Thus, he safeguarded, modernised and lived in a seemingly light-hearted way a centuries-old art and tradition. He had become a king among griots, a jalimansa.</span></div>
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<span class="Apple-style-span" style="font-family: Calibri;">Malamini Jobarteh was a uniquely friendly, open-minded, warm, welcoming and wise person. His laughter was irresistible. He will be missed by his wives Yankui Kuyateh, Kolikoli Samba and Futa Jobarteh, his many children, his family, friends, patrons, and students.</span></div>
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<span class="Apple-style-span" style="font-family: Calibri;">Mainz, Totensonntag, 2013</span></div>
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<!--EndFragment--><br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-51533278842329012102013-10-24T22:20:00.000+02:002013-10-24T22:20:22.831+02:00<br />
<span class="Apple-style-span" style="font-family: Calibri; font-size: 24px; font-weight: bold;"><span class="Apple-style-span" style="background-color: white; font-size: large;">"Namibian Music History Untold" - </span></span><span class="Apple-style-span" style="font-family: Calibri; font-size: 24px; font-weight: bold;"><span class="Apple-style-span" style="background-color: white; font-size: large;"><i>Stolen Moments</i> Plan Touring Exhibition</span></span><br />
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Aino Moongo and </span><span class="Apple-style-span" style="background-color: white; font-size: small;">Baby Doeseb are currently travelling Germany, Austria and Switzerland to meet with curators and managers of different archives and museums. They started off in Mainz and had their first visions shared with AMA director <i style="font-weight: bold;">Hauke Dorsc</i><i style="font-weight: bold;">h</i>. This was to become one of many sessions where the concept of a touring exhibition got the chance to be shaped and visualized.</span><br />
<span class="Apple-style-span" style="background-color: white; font-size: small;"><span class="Apple-style-span" style="font-size: 12px;"><span class="Apple-style-span" style="background-color: white; font-size: small;">The project also contains filmmaker <i><b>Thorsten Schütte</b></i>, who already did movies on education in Namiba ("Namibia Generation X", 2005) and 'ethno music' ("Crossroads", 1999).</span></span></span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">In order to find many possible associates Aino and Baby travelled from Mayence to Stuttgart to Cologne to Frankfurt to Bayreuth to Vienna to Bremen to Berlin to Göttingen to Zurich to</span><span class="Apple-style-span" style="background-color: white; font-size: small;"> Halle and back to Mayence. Quite some tour!</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;"><i>A visit to the former plenary hall in Bonn: Hauke Dorsch, </i></span><span class="Apple-style-span" style="background-color: white; font-size: small;"><i>Baby Doeseb and </i></span><span class="Apple-style-span" style="background-color: white; font-size: small;"><i>Aino Moongo (from left)</i></span></div>
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<span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-size: large;">The purpose of the project</span></span><span class="Apple-style-span" style="background-color: white; font-size: small;"><i style="font-weight: bold;"> </i>is to reconstruct the age of Namibian popmusic that existed from the 1950s to the country's independency in 1990. Yet during the Apartheid system Namibian musicians had hard times playing their songs and hardly anything was being recorded at all. Today most people don't think of a pop scene but rather a gospel, Western classic and imported South African music scene when it comes to Namibia. </span><span class="Apple-style-span" style="background-color: white; font-size: small;"><i style="font-weight: bold;">Stolen Moments, Namibian Music History Untold </i>therefore set the goal of clearing "misunderstandings so that future generations are able to profit from it" (Aino in the interview for <i>Deutsch-Namibische Gesellschaft e.V.</i>)</span><br />
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<span class="Apple-style-span" style="background-color: white; font-size: small;"><a href="http://www.stolenmoments.info/" target="_blank"><span class="Apple-style-span" style="color: blue;">The Stolen Moments website</span></a><i> </i>says it "is an initiative of the National Archive of Namibia, the Ministry of Education, the Ministry of Information, the NBC, the Namibian, the Republikein, the Namibian Sun, Allgemeine Zeitung and Basler Afrika Bibliographien. All resultant oral history, recordings and research data will remain property of the originators that is YOU. Your contributions are going to be copied and deposited at the National Archives of Namibia. This will open up the area for future investigation and form the basis for a Namibian popular music archive, as intended by the National Archives of Namibia."</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">This is the link to the (German) interview with Aino, Baby and Thorsten:</span><br />
<span class="Apple-style-span" style="font-family: Times; font-size: small;"><a href="http://www.dngev.de/verein/nachrichten/200-musikprojekt-stolen-moments" target="_blank"><span class="Apple-style-span" style="color: blue;">http://www.dngev.de/verein/nachrichten/200-musikprojekt-stolen-moments</span></a></span></div>
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<span class="Apple-style-span" style="font-family: Calibri;"><span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-size: large;">We'll keep you up-to-date </span></span></span><span class="Apple-style-span" style="font-family: Calibri; font-size: 12px;"><span class="Apple-style-span" style="background-color: white; font-size: small;">about the further progress of <i>Stolen Moments</i> and their exhibition! For more information visit their Facebook page on </span></span><a href="https://www.facebook.com/pages/Stolen-Moments-Namibia/193689374012214?ref=ts" target="_blank"><span class="Apple-style-span" style="color: blue;">https://www.facebook.com/pages/Stolen-Moments-Namibia/193689374012214?ref=ts</span></a><br />
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<span class="Apple-style-span" style="font-family: Calibri;"><b>From now on we'll keep posting in English for our international audience!</b></span><br />
<span class="Apple-style-span" style="font-family: Calibri;"><b>For questions or remarks please mail to: liontail-records@gmx.de</b></span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-90532613791936096402013-08-09T00:19:00.000+02:002013-10-23T12:00:30.373+02:00<span class="Apple-style-span" style="background-color: white;"><br /></span>
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<span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-weight: normal;">Das AMA besucht den Verein für afrikanische Künste im alten Elektrizitätswerk</span></span><span class="Apple-style-span" style="font-size: large; font-weight: normal;"> Neukölln, Berlin</span></span></h2>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">SAVVY Contemporary bezeichnet sich selbst als ein Labor für konzeptionelle, intellektuelle, künstlerische und kulturelle Entwicklung und Austausch. Dort werden Ideen und Pläne geformt und zu vielen Projekten umgesetzt. </span><span class="Apple-style-span" style="background-color: white; font-size: small;">(Link zur Website siehe rechts in unserer Linkliste!)</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Alle zwei Monate will SAVVY Contemporary Ausstellungen in ihrer Gallerie organisieren, die darauf abzielen, den Dialog zwischen "westliche Kunst" und "nicht-westliche Kunst" zu fördern. In solchem Rahmen soll die Ausstellungsleitung durch einen "Trialog" funktionieren: ein Kurator, ein geladener Künstler aus Europa oder Nordamerika und ein geladener Künstler aus dem Globalen Süden vervollständigen die Moderation.</span></div>
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<span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-size: large;">Das AMA traf sich kürzlich</span><span class="Apple-style-span" style="font-size: small;"> mit dem Gründer und Vorsitzenden <i><b>Dr. Bonaventure Ndikung</b></i> und Chefredakteurin <i style="font-weight: bold;">Andrea Heister</i> im Vereinsgebäude in der </span><span class="Apple-style-span" style="font-size: small;">Richardstraße Neukölln. Unter Denkmalschutz stehend liefert das alte Elektrizitätswerk </span><span class="Apple-style-span" style="font-size: small;">von Hans Heinrich Müller </span><span class="Apple-style-span" style="font-size: small;">aus dem Jahr 1926 ein hervorragendes Angebot von Veranstaltungsräumen und vielen nützlichen Features, wie z.B. einem alten Seilzug.</span></span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Es wurden erste gegenseitige Eindrücke gewonnen und über mögliche gemeinsame Projekte gesprochen. Dazu bald mehr, hier nun ersteinmal ein paar Eindrücke vom Veranstaltungsort!</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Großer Veranstaltungsraum mit Leinwand, Sound-Anlage und DJ Set:</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">...inklusive verschieden kreativen Sitzgelegenheiten:</span></div>
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<span class="Apple-style-span" style="background-color: white;"><span class="Apple-style-span" style="font-size: small;">Arbeitsmaterial: Bücher und Portfolios der Veranstaltungen</span></span><br />
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Die Bar ist tapeziert mit Schallplatten von afrikanischen sowie nordamerikanischen Musikern!</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Ein alter Seilzug, der bei all den Etagen sehr nützlich wird:</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Die Vorder- und Rückseite des alten Elektrizitätswerk von Aussen:</span><br />
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Veranstaltungsraum mit Bühne im Souterrain:</span></div>
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<span class="Apple-style-span" style="background-color: white; font-size: small;">Es war nicht nur ein sehr erfolgreiches - sondern auch ein sehr angenehmes und nettes Zusammenkommen! Wir freuen uns auf gemeinsame Visionen!</span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-78764176468931095382013-07-22T23:05:00.001+02:002013-10-23T12:00:39.439+02:00<br />
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<span class="Apple-style-span" style="font-size: large;">Das AMA lädt Madagassische Klänge nach Mainz</span></h2>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-weight: normal;">Beeindruckendes Konzert von </span></span><span class="Apple-style-span" style="font-size: large; font-weight: normal;">Dama Mahaleo, Milon Kazar, </span><span class="Apple-style-span" style="font-size: large; font-weight: normal;">Ricky Olombelo & Sohn</span></h2>
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<span class="Apple-style-span" style="font-size: small;">Das AMA begrüßte die vier Musiker am vergangenen Freitag im Frankfurter Hof! Gleich nachdem <b><i>Prof. Ulrike Meinhof aus Southampton</i></b> ihren Vortrag hielt, der das Publikum nicht nur durch ihre strahlende Begeisterungsfähigkeit aufwärmte, sondern auch gleich umfassend über die Musiker und die musikalische Situation auf Madagaskar informierte.</span><br />
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<a href="http://2.bp.blogspot.com/-SuxZV3XIqm4/Ue1nwY8NRMI/AAAAAAAAAG8/7X_tNBQ1aJU/s1600/P1020372.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://2.bp.blogspot.com/-SuxZV3XIqm4/Ue1nwY8NRMI/AAAAAAAAAG8/7X_tNBQ1aJU/s320/P1020372.JPG" width="320" /></a></div>
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<span class="Apple-style-span" style="font-size: small;">Zwar gebührte den madagassischen Superstars weit mehr Zuschauer als tatsächlich kamen, so entstand jedoch eine intime und gemütliche Atmosphäre, die heute vermutlich zur Seltenheit im Konzertbusiness geworden ist. Im Publikum saßen aber durchaus weit angereiste Musikliebhaber und Musiker, wie Rajemison Tovo aus Hamburg. Ausserdem trafen wir Eugène Ramanankoraisina, desen Musikverlag "Lemavo Records" in Frankfurt madagassische Künstler unterstützen und bekannt machen möchte (Website siehe Linkliste).</span><br />
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<span class="Apple-style-span" style="font-size: large;">Sogar eine Premiere</span><span class="Apple-style-span" style="font-size: small;"> war an diesem Abend zu verzeichnen, denn der madagassische <b>Gitarrist Milon Kazar</b> kam extra aus Paris und spielte das erste Mal mit Dama Mahaleo in einem Ensemble. Früher mit der Metalband "Kazar" unterwegs, begleitete er hier rasend schnelle Rhytmen und legte mit seinen Latin- und Death Metal Kenntnissen atemberaubende Soli hin.</span><br />
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<span class="Apple-style-span" style="font-size: large;">Olombelo Ricky ('Ricky, the human being')</span><span class="Apple-style-span" style="font-size: small;"> wurde als </span><span class="Apple-style-span" style="font-size: small;">Ricky Randimbiarison in Madagaskar geboren und ist dort einer der größten Superstars. Als </span><span class="Apple-style-span" style="font-size: small;">Experte der traditionellen madagassischen Musik </span><span class="Apple-style-span" style="font-size: small;">spiegelt er Mystik, Mythologie und Rituale in seinen Songs wieder.</span><br />
<span class="Apple-style-span" style="font-size: small;">Ricky ist Sänger und Bandleader der "Olombelo Ricky Group" und der "Vazimba Vocal Mozika". Er arbeitet außerdem als Percussionist, Komponist und Musikpädagoge. Für das Mainzer Konzert war auch sein Sohn an den Djemben und der Darbuka dabei.</span><br />
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<a href="http://4.bp.blogspot.com/-Cdvmtkb9aXc/Ue1pAVFpFuI/AAAAAAAAAHU/HksoPg1Jsy4/s1600/P1020404.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-Cdvmtkb9aXc/Ue1pAVFpFuI/AAAAAAAAAHU/HksoPg1Jsy4/s320/P1020404.JPG" width="320" /></a></div>
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<span class="Apple-style-span" style="font-size: large;">Dama, geb. Rasolofondraosolo Zafimahaleo,</span><span class="Apple-style-span" style="font-size: small;"> ist </span><span class="Apple-style-span" style="font-size: small;">Songwriter, singt und spielt leidenschaftlich Guitarre und Mundharmonika - zum Glück auch an unserem Abend :) sowie die Kabosy, ein Mandolinartiges Instrument. </span><span class="Apple-style-span" style="font-size: small;">Einige Songs aus seinem neuen Album "Sariaka" spielten die Musiker auch in Mainz.</span><br />
<span class="Apple-style-span" style="font-size: small;">Wenn er gerade nicht musiziert, geht er seinem Beruf in der Soziologie nach. Er war ausserdem zwei Amtszeiten lang ein unabhängiges Mitglied der Madagassischen Regierung.</span><br />
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<span class="Apple-style-span" style="font-size: large;">Hier einige Impressionen dieses wunderbaren Konzerts:</span><br />
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<span class="Apple-style-span" style="font-size: large;">Am Abend danach</span><span class="Apple-style-span" style="font-size: small;"> spielten Ricky, sein Sohn und Dama in Weinheim. Milon war diesmal nicht dabei - ein großer verpasster Hörgenuss für die Baden-Württemberger, wie wir finden!</span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-83534068764184753112013-07-19T13:07:00.003+02:002013-10-23T12:00:48.416+02:00<br />
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<span style="font-size: small; letter-spacing: 0px;">Mit einem Vortrag von Prof. Ulrike Meinhof (University of Southampton) und einer Begrüßung von Dr. Hauke Dorsch (African Music Archives, University of Mainz)!</span></div>
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<span style="font-size: small; letter-spacing: 0px;"><b><a href="http://www.frankfurter-hof-mainz.de/programm.php?section=detail&id=2237&section_back=View&date=1372629600&PHPSESSID=2301ee5a6a06e9bb337674e700363dcb" target="_blank"><span class="Apple-style-span" style="color: blue;">zur Veranstaltungsseite</span></a></b></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-77006376264750743732013-07-13T00:42:00.001+02:002013-07-13T21:14:44.979+02:00<br />
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-weight: normal;">"Hidden Tracks: Verb</span></span><span class="Apple-style-span" style="font-size: large; font-weight: normal;">orgene, Vergessene und Verschwundene in der Popmusik" von Thorsten Schüller & Sascha Seiler</span></h2>
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<span style="font-size: small; letter-spacing: 0px;">Regelmäßig werden im Antiquariat am Ballplatz Lesungen, Ausstellungen, Diskussionen und Gesprächsrunden veranstaltet, häufig in Zusammenarbeit mit der Johannes Gutenberg-Universität Mainz -</span><span class="Apple-style-span" style="font-size: small;"> so auch am Abend des 5. Juli 2013!</span></div>
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<span style="font-size: small;">Dr. Sascha Seiler vom Institut für Allgemeine und Vergleichende Literaturwissenschaft und Dr. Thorsten Schüller, Wissenschaftlicher Mitarbeiter am Romanischen Seminar der Johannes Gutenberg-Universität Mainz sprechen über "verborgene" Musik aus ihrem Buch.</span><br />
<span style="font-size: small;">Vorgestellt wurden Beispiele aus der Popmusik Westafrikas sowie Klänge und Songtextanalyse aus dem europäischen Rock/Pop.</span><br />
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<span style="font-size: small;">Auf dem Link der Veranstaltungsseite des <b>Zentrum für Interkulturelle Studien</b> ist mehr darüber zu lesen: </span><span class="Apple-style-span" style="font-size: small;"><b><a href="http://www.zis.uni-mainz.de/2012.php" target="_blank"><span class="Apple-style-span" style="color: blue;">http://www.zis.uni-mainz.de/2012.php</span></a></b></span><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-2668788981072618532013-06-25T23:29:00.000+02:002013-06-25T23:29:24.019+02:00<h2>
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<span class="Apple-style-span" style="font-size: large;">Infobörse zum Auslandsstudium "Time to leave?" </span><span class="Apple-style-span" style="font-size: large;">am Dienstag, 25.06.2013, in der Alten Mensa der Uni Mainz</span></h2>
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<span style="font-size: small; letter-spacing: 0px;">Heute wurde den Studierenden der Johannes Gutenberg-Universität Mainz einen Tag lang viele Ratschläge und Informationen zu Auslandsaufenthalten gebote</span><span class="Apple-style-span" style="font-size: small;"><span style="letter-spacing: 0px;">n. </span>In den Hallen der Alten Mensa wurden Stände aufgebaut, an denen über unterschiedliche Länder und einige Partnerschaften mit Rheinland Pfalz informiert wurde.</span></div>
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<span class="Apple-style-span" style="font-size: small;"><b><span style="letter-spacing: 0px;">Eine andere Halle widmete sich ausschließlich dem Thema des Rahmenprogramms: "Afrika". </span></b><b>Das AMA durfte dabei natürlich nicht fehlen!</b></span></div>
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<span class="Apple-style-span" style="font-size: small;">Cornelia Steudner und Nouara Chergui stellten eine kleine Ausstellung für den AMA-Stand zusammen und erzählten interessierten Besuchern von unseren Projekten und den Aufgaben des Archivs. Ausserdem konnte man sich dort die Musik von ausgestellten Schallplatten auf mp3-playern anhören und sich erklären lassen, was darauf zu sehen war.</span></div>
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<span class="Apple-style-span" style="font-size: small;">Wie zum Beispiel das Cover von Francis Bebeys LP "Si Les Gaulois Avaient Su":</span></div>
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<span class="Apple-style-span" style="font-size: small;">Die Geschichte dahinter:</span></div>
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<span class="Apple-style-span" style="font-size: small;">In den französischen Kolonien Afrikas wurden statt lokalbezogener Schulbücher französische - unbearbeitete und damit unangepasste - Schulbücher im Unterricht verwendet. Unter anderem vermittelte man ihnen dadurch Inhalte wie "nos ancêtres les Gaulois" ("unsere Ahnen die Gallier") - ein historischer Bezug, der in Afrika natürlich absurd erscheint und die eigene Geschichte verleugnet.</span></div>
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<span class="Apple-style-span" style="font-size: small;">Der Musiker Francis Bebey provoziert deshalb auf seinem Album mit dem schwarzen Mädchen und seiner Frisur, die an Asterix-Ästhetik erinnert. Dahinter ein Schulbuchmuster und darauf der Titel geschrieben: "Wenn das die Gallier wüssten!"</span></div>
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<span class="Apple-style-span" style="font-size: large;">Einen weiteren Programmpunkt unseres Teams </span><span class="Apple-style-span" style="font-size: small;">bot Katrin Jahn mit ihrem Vortrag "Politischer Hip-Hop in Kamerun". Sie sprach über die Rolle der Songtexte, über die verschiedenen Generationen von Hiphoppern sowie weitergehend über die Geschichte von Hip Hop in Kamerun im Vergleich zu anderen afrikanischen Ländern und zum Hip Hop in den USA. </span><span class="Apple-style-span" style="font-size: small;">Videos wie "Lettre Au Président" von Valsero (<a href="http://www.youtube.com/watch?v=a28WhRWrrx4" target="_blank"><span class="Apple-style-span" style="color: blue;">http://www.youtube.com/watch?v=a28WhRWrrx4</span></a>) oder "Kel Avenir" von Parol (<a href="http://www.youtube.com/watch?v=2Gk-1CRlSXk" target="_blank"><span class="Apple-style-span" style="color: blue;">http://www.youtube.com/watch?v=2Gk-1CRlSXk</span></a>) veranschaulichten Produktionsniveau bzw. Botschaft.</span></div>
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<span class="Apple-style-span" style="font-size: small;">Anschließend sprach Dr. Anna-Maria Brandstetter vom Institut für Ethnologie und Afrikastudien Mainz über "Ruanda heute" und nahm Stellung zu bekannten Stereotypen wie <i>Genozid, Berggorillas, Bürgerkrieg, Unterentwicklung und Überbevölkerung</i>. Bei dieser Gelegenheit stellte sich auch gleich die Hochschulgruppe "Ruanda" vor und ging über in das "Erzählcafé", wo in großer Runde über Vorurteile, Stereotypie und Verallgemeinerungen bezüglich Afrikas diskutiert wurde.</span></div>
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<span class="Apple-style-span" style="font-size: small;">Weitere Einblicke gibt's auf der Facebookseite der Veranstalter:</span></div>
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<a href="https://www.facebook.com/abteilunginternationales" target="_blank"><span class="Apple-style-span" style="color: blue; font-size: small;">Uni Mainz Abteilung Internationales</span></a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-71389275859841708322013-06-19T18:21:00.003+02:002013-06-19T23:48:18.207+02:00<br />
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<span style="font-size: large; letter-spacing: 0.0px;">/ˈnɔɪzɪz/ festival in Montabaur vom 14.-16. Juni 2013</span></h2>
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<span style="font-size: small; letter-spacing: 0.0px;">Kulturwissenschafts-Student Christopher Southernwood aus Koblenz rief ein Festival der besonderen Art ins Leben, dessen Ziel es war, die kulturübergreifende Bedeutung des Hörens multimedial zu thematisieren. Dafür kamen neben Künstlern und Wissenschaftlern aus vielen Ländern, ein harmonisches Publikum zusammen.</span></div>
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<span style="font-size: small; letter-spacing: 0.0px;">Es ging dabei vor allem um Formen von Akustik, die mithilfe von DJ-Sets, Live-Musik, Filmen und Performances verdeutlicht wurden. Denn "was 'Krach' ist, ist subjektiv und kulturrelativ und steht im Spannungsfeld zwischen Ton allgemein und Musik speziell - im Englischen verdeutlicht durch den Plural 'noises'." (<span class="Apple-style-span" style="color: blue;">http://www.b-05.org/aktuelles.html</span>)</span></div>
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<span style="font-size: small; letter-spacing: 0.0px;">Besonders war auch der Veranstaltungsort: das Gelände der ehemals Deutsch-Amerikanischen Atomwaffenlager - heute zum "b-05 Kunst- und Kulturzentrum" umfunktioniert. (<span class="Apple-style-span" style="color: blue;">http://www.b-05.org/</span>) In den Bunkern und Baracken der Anlage wurden das ganze Wochenende über eine Silent Disco, Soundinstallationen, Vorträge sowie Workshops angeboten.</span></div>
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<span style="font-size: large; letter-spacing: 0.0px;">Zum Auftakt dieses Festivals</span><span style="font-size: small; letter-spacing: 0.0px;"> hielt der Leiter des AMA, Dr. Hauke Dorsch (Uni Mainz), seinen Vortrag <i>Musik und der Black Atlantic </i>und führte das Publikum durch die Welt der transatlantischen Musikstile und erklärte deren Zusammenhang und deren Geschichte.</span></div>
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<span style="font-size: small; letter-spacing: 0.0px;">Nach diesem Vortrag voller beeindruckender Musikbeispiele und spannenden Informationen ging dieser erste Abend zum tänzerischen Ausklang über und räumte die Bühne für zwei sehr gegensätzliche DJ-Sets: DJ Brian Shimkovitz aus Los Angeles legte Afrobeat, Highlife und Bubblegum auf…</span></div>
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<span style="font-size: small; letter-spacing: 0.0px;">...und DJ Zipo aus Münster, der das Publikum auf die Liegestühle zauberte und mittels elektronischer Musik und Geräuschen die Atmosphäre in Trance brachte.</span></div>
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<span style="letter-spacing: 0.0px;"><span class="Apple-style-span" style="font-size: large;">Am Samstag ging es gemütlich weiter</span><span class="Apple-style-span" style="font-size: small;">.</span></span><br />
<span style="letter-spacing: 0.0px;"><span class="Apple-style-span" style="font-size: small;">Die Essen- und Getränketheke bot wie am Vortag das Leckerste an Kuchen, Salaten, Herzhaftem und allerlei an Limos und Bier - natürlich alles vegetarisch und aus fairem Handel! (Rechts im Bild: Initiator Christopher Southernwood)</span></span></div>
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<span style="letter-spacing: 0.0px;"><span class="Apple-style-span" style="font-size: small;">Das erste Programm-Highlight war die Bonner Tänzgruppe "-INNEN": vier Tänzerinnen und eine DJane improvisierten zu eletronischer Musik und Geräuschen. Durch wechselnde Dynamik und Tanztheater erzählte das Team atemberaubende Geschichten - da ist es kein Wunder, dass das Publikum länger in ihren Bann gezogen wurde, als ursprünglich vorgesehen ;-)</span></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;">Andreas Ackermann aus Koblenz hielt danach seinen anregenden Vortrag "Soundscapes - Ton im Film", in dem er die Verwendung und die Verarbeitung von Ton und dessen Bedeutung diskutierte...</span><br />
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;">...und begleitete anschließend diese vier Filme, deren Besonderheiten von Ton und Darstellung mit dem Publikum ausgewertet wurden:</span><br />
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<span class="Apple-style-span" style="font-family: Calibri;"><b><span class="Apple-style-span" style="font-size: large;">1. "Ears Are Dazzled, Touched By Sound"</span></b></span></div>
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<span class="Apple-style-span" style="font-family: Calibri;"><b><span class="Apple-style-span" style="font-size: large;"> (von Amanda Belantara, 2009)</span></b></span><br />
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>"Als eine kollektive Auseinandersetzung mit den Klängen, die uns umgeben, schildert dieser Film Klänge und Bilder die von Ton-Tagebüchern der lokalen Bevölkerung aus Yamaguchi (Japan) inspiriert sind. Ein faszinierendes Porträt des Unsichtbaren: der </i></span><span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>unkonventionellen Stil des </i></span><span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Films versucht die magische Qualität des Sounds, die versteckt im Alltag liegt, zu offenbaren."</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>-Filmemacherin und Sound & Vision Spezialistin Amanda Belantara -</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>(aus: <a href="http://visualanthropologyofjapan.blogspot.de/2009/11/ears-are-dazzled-touched-by-sound.html" target="_blank"><span class="Apple-style-span" style="color: blue;">Visual Anthropology of Japan</span></a>)</i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><b><span class="Apple-style-span" style="font-family: Calibri;">2.</span></b><b><span class="Apple-style-span" style="font-family: Calibri;"> "Songs of A Sorrowful Man"</span></b></span></div>
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<span class="Apple-style-span" style="font-size: large;"><b><span class="Apple-style-span" style="font-family: Calibri;"> (von </span><span class="Apple-style-span" style="font-family: Calibri;">Lina Fruzzetti, </span></b><span class="Apple-style-span" style="font-family: Calibri;"><b>Akos Ostor & </b></span><span class="Apple-style-span" style="font-family: Calibri;"><b>Aditi Nath Sarkar, 2009)<span class="Apple-tab-span" style="white-space: pre;"> </span> <span class="Apple-tab-span" style="white-space: pre;"> </span></b></span></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Lina Fruzzetti und Ákos Östörs großes Filmprojekt aus dem Jahr 2001 dokumentiert die "Wiederbelebung" einer alten Tradition aus Indien: das Schriftrollen-Zeichnen und das Singen von Geschichten, die darauf geschildert werden. Das Ergebnis war der preisgekrönte Film "Singing Pictures" von 2006.</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Der Film "Songs of A Sorrowful Man" knüpft daran an und beschäftigt sich mit dem Leben und der Arbeit eines Malers/Komponisten/Sänger, der im ländlichen West Bengal als Dichter und Mystiker von legendärem Ausmaß wohlbekannt ist.</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>(aus: <a href="http://www.der.org/films/songs-of-a-sorrowful-man.html" target="_blank"><span class="Apple-style-span" style="color: blue;">Documentary - Educational Resources</span></a>)</i></span></div>
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<b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Calibri;">3. "Temporary Sanity: The Skerrit Bwoy Story"</span></span></b></div>
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<b><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Calibri;"> (von Dan Brunn, 2007)</span></span></b><span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><br /></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Der Film erzählt von Jamaikas Tanzmusik-Kultur in New York und vor allem vom vielseitigen DJ Skerrit Bwoy, der sich selbst als "Short Black an' Ugly" vorstellt und darauf wartet, die Stimme von Bronx zu werden.</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Ursprünglich von St. Johns (Antigua), emigrierte er in den 1990ern nach New York und integrierte sich als junger Mann ins Club-Leben der Creston Avenue. Skerrit Bwoy betrat die internationale Dancehall Szene und gewann mit seinem Sound System "Ghetto Life" 2005/2006 den "Bronx Sound of the Year".</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Der Film strotzt vor purer Energie durch Tanz, Musik, heikles Benehmen und wilde Partys und trägt den frischen Rhytmus von New York und ein bemerkenswertes tropisches Bild aus der neusten Form der Clubszene.</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>(Film & Text: <a href="http://vimeo.com/9509760" target="_blank"><span class="Apple-style-span" style="color: blue;">Vimeo: Temporary Sanity: The Skerrit Bwoy Story</span></a>)</i></span></div>
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<span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: Calibri;"><b>4. "Rapresent" (von Ivana Todorovic, 2008)</b></span><span class="Apple-style-span" style="font-family: Calibri;"><br /></span></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Ein porträtierender Film über Bojan Radanov </i></span><span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>(29.05.1988-11.06.2009)</i></span><span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>, einem jungen Mann mit der Leidenschaft für Graffiti und Hip Hop. Geboren in Split (Kroatien), seinen Vater im Bürgerkrieg verloren, floh er schließlich mit Mutter und Schwester nach Serbien. Als er 11 Jahre alt war starb auch seine Mutter und Bojan kam ins Heim. Seit seinem 18. Geburtstag lebte er obdachlos auf den Straßen von Belgrad.</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>Er war 21, als er an einer Überdosis Heroin starb. Ein Jahr nachdem dieser Film gedreht wurde.</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;"><i>(Film & Text: <a href="http://vimeo.com/5227124" target="_blank"><span class="Apple-style-span" style="color: blue;">Vimeo: Rapresent</span></a>, alternativer Film Link: <a href="http://www.cultureunplugged.com/play/2928/Rapresent" target="_blank"><span class="Apple-style-span" style="color: blue;">Culture Unplugged</span></a>)</i></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: large;">In einzelnen Gebäuden auf dem Gelände wurden ausserdem Ausstellungen, Merchandise und Workshops angeboten.</span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;">Christian Hübenthal aus Würzburg zeigte Interessierten die Kunst der DJs und Djanes:</span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;">...</span><span class="Apple-style-span" style="font-family: Calibri; font-size: small;">und akustische Experimente wie hier: das Abspielen der Endrille einer LP in der Endlosschleife, um einen besonderen Klang im Raum zu schaffen:</span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;">Ein extra Häusschen für eigene Klangexperimente bot verschiedene Schlagzeuge: ein Xylophon aus Holz, Plastiktonnen mit unterschiedlich bearbeitetem Mantel, eine Triangel und weitere Möglichkeiten, auf Metallgegenstände des Raumes zu schlagen:</span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: large;"><b>Das weitere Programm für diesen Abend sah vor:</b></span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: small;">Der Vortrag von Ricarda Kopal aus Berlin (siehe Foto): "Zwischen Wachswalzen und Web: Das Berliner Phonogramm-Archiv" und der Vortrag von Mike Harding (London): "From Analogue To Digital And Back Again". Danach gab es eine Medienkunstperformance von Achim Mohné (Köln) und schließlich den musikalischen Ausklang mit DJ G.I.D. (Höhr-Grenzhausen).</span></div>
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</span><span class="Apple-style-span" style="font-family: Calibri; font-size: small;">Umbau zum nächsten DJ Set:<br /><div class="separator" style="clear: both; text-align: left;">
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<br /><span class="Apple-style-span" style="font-size: small;">Das AMA hat diese letzten Punkte und den letzten Tag darauf leider nicht live mitverfolgen können, zur Vollständigkeit berichten wir Euch aber die Programmpunkte:</span><br />
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<span class="Apple-style-span" style="font-size: large;">(Sonntag)</span><br />
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<li style="font-family: Calibri;"><span class="Apple-style-span" style="font-size: small;">Vortrag von Thorsten Gieser (Koblenz): "Körperkult(ur)"</span></li>
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<li style="font-family: Calibri;"><span class="Apple-style-span" style="font-size: small;">Beatboxperformance von Adrian Boddenberg (Montabaur)</span></li>
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<li style="font-family: Calibri;"><span class="Apple-style-span" style="font-size: small;">Vortrag/Live-Musik von Julio Mendívil (Hildesheim): "Über Schlager, Musikethnologie und andere traumatische Angelegenheiten"</span></li>
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<li style="font-family: Calibri;"><span class="Apple-style-span" style="font-size: small;">Live-Musik von Ahmet Karaköse & Sezgin Özen (Koblenz)</span></li>
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<li style="font-family: Calibri;"><span class="Apple-style-span" style="font-size: small;">Tanzworkshop von der Gruppe "-INNEN" aus Bonn</span></li>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: large;">Wir freuen uns auf diesem besonderen Festival gewesen zu sein! Eine besonders warme Atmosphäre und vielseitig interessierte Teilnehmer machten das Event zu einem angenehmen und sehr einladenden Projekt! Letztlich 4 Studenten (Christopher Southernwood, Maik Exner, Anne Michel und Dominik Nürenberg) und ihre unterstützende Familien ermöglichten die Durchführung und arbeiteten Hand in Hand mit Partnern und Sponsoren für ein beeindruckendes Ergebnis!</span></div>
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<span class="Apple-style-span" style="font-family: Calibri; font-size: large;"><b>Hoffentlich hat dieser kleine Einblick Euch Lesern ebenso viel Spaß gemacht! Vergesst nicht, ihr könnt die hier erwähnten Filme im Internet sehen!</b></span></div>
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<span class="Apple-style-span" style="font-size: x-large;"><span class="Apple-style-span" style="font-family: Calibri;">Viel Spaß und bis zum nächsten Mal!</span><span class="Apple-style-span" style="font-family: Calibri;"><br /></span><span class="Apple-style-span" style="font-family: Calibri;">EUER AMA :) </span> </span></h2>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3765566906066496167.post-53881326826587114622013-06-16T00:55:00.000+02:002013-07-13T21:17:22.844+02:00<h2 style="text-align: justify;">
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: x-large; font-weight: normal;">Erste Schritte ins Blogging!</span></h2>
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Um Events und Aktivitäten einem größeren Publikum bekannt machen zu können, steht dieser Blog für Euch zur Verfügung. Neben der begrenzt nutzbaren Facebook-Seite gibt es hier regelmäßig und ausführlicher von uns zu lesen!</span></span><br />
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Demnächst folgt der erste Eintrag, wir berichten vom Noises Festival in Montabaur! </span></span><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">In unserem Facebook Fotoalbum gibt es bereits einige Eindrücke:</span></div>
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<span class="Apple-style-span" style="color: blue; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><a href="https://www.facebook.com/media/set/?set=a.627263813952381.1073741826.224078740937559&type=1" target="_blank">https://www.facebook.com/media/set/?set=a.627263813952381.1073741826.224078740937559&type=1</a></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Für alle, die das AMA noch nicht kennen, hier der Link zur offiziellen Website:</span><br />
<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><a href="http://www.ama.ifeas.uni-mainz.de/" target="_blank">http://www.ama.ifeas.uni-mainz.de/</a></span><br />
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">Bis b</span><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">ald hoffentlich! :)</span></h3>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">ENGL.</span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><b>First Steps into Blogging!</b></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>To reach many more readers, we have established this blog for you now. Additionally to our Facebook page, on this blog you will be able to get to know more about events and projects that we do ourselves or that we come across!</i></span></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i><br /></i></span></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>Shortly we'll report about "Noises Festival" from Montabaur, Germany. You may want to take a look at our Facebook photo album for a first glimpse :)</i></span></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span"><span class="Apple-style-span" style="color: blue; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i><a href="https://www.facebook.com/media/set/?set=a.627263813952381.1073741826.224078740937559&type=1" target="_blank"><b>Facebook Photo Album</b></a></i></span></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i><br /></i></span></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><span class="Apple-style-span"><span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;"><i>And for those who wonder what the AMA (African Music Archives Mainz, Germany) is, here's the link to our official website: <a href="http://www.ama.ifeas.uni-mainz.de/" target="_blank"><b>http://www.ama.ifeas.uni-mainz.de/</b></a></i></span></span></span></div>
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<span class="Apple-style-span" style="font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif;">We hope to see you soon again! :)</span></h3>
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